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	<title>Typecast Films &#187; documentary</title>
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	<description>Typecast Films</description>
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		<title>Budrus</title>
		<link>http://typecastfilms.com/2048/budrus/</link>
		<comments>http://typecastfilms.com/2048/budrus/#comments</comments>
		<pubDate>Mon, 20 Dec 2010 20:50:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Ayed Morrar, an unlikely community organizer, unites Palestinians from all political factions and Israelis to save his village from destruction by Israel’s Separation Barrier. Victory seems improbable until his 15-year-old daughter, Iltezam, launches a women’s contingent that quickly moves to the front lines.]]></description>
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<tbody>
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<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/12/Budrusfence-e1308786261922.jpg" rel="lytebox[2048]"><img class="alignleft size-thumbnail wp-image-2125" title="Budrusfence" src="http://typecastfilms.com/wp-content/uploads/2010/12/Budrusfence-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/12/dvd-cover-budrus1.jpg" rel="lytebox[2048]"><img class="alignleft size-medium wp-image-2129" title="Budrus dvd" src="http://typecastfilms.com/wp-content/uploads/2010/12/dvd-cover-budrus.jpg" alt="" width="228" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/12/IltezamBulldozer-e1308786237213.jpg" rel="lytebox[2048]"><img class="alignleft size-thumbnail wp-image-2126" title="IltezamBulldozer" src="http://typecastfilms.com/wp-content/uploads/2010/12/IltezamBulldozer-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<tr>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/12/DoronAnnoucement-e1308786189711.jpg" rel="lytebox[2048]"><img class="alignleft size-thumbnail wp-image-2128" title="DoronAnnoucement" src="http://typecastfilms.com/wp-content/uploads/2010/12/DoronAnnoucement-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/12/IsraeliArmyinBudrus-e1308786215523.jpg" rel="lytebox[2048]"><img class="alignleft size-thumbnail wp-image-2127" title="IsraeliArmyinBudrus" src="http://typecastfilms.com/wp-content/uploads/2010/12/IsraeliArmyinBudrus-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<p>Follow us on <a href="http://www.facebook.com/pages/Arab-Film-Distribution-Typecast-Releasing/292240766274" target="_blank">facebook</a> &amp; <a href="http://twitter.com/#!/afd_typecast" target="_blank">twitter</a>!</p>
<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p>When the residents of Budrus learn that the Israeli army plans to build the Separation Barrier through their town, cutting them off from neighboring Palestinian villages and uprooting their precious olive groves, they decide to organize. Under the leadership of Ayed Morrar, Palestinian men of all political factions come together to wage an unarmed struggle to preserve their lands. Victory seems unlikely until Ayed’s 15-year-old daughter steps in to organize a female contingent that brings the women of Budrus to the front lines in a tense stand-off with the military.</p>
<p>As word of the nonviolent protest spreads, Israeli citizens, international activists and Palestinians from other villages join the people of Budrus to demand that the Barrier be moved. Struggling side by side, father and daughter unleash an inspiring, yet little-known movement that is still gaining ground today. Featuring interviews with unarmed demonstrators, Israeli soldiers and the citizens of Budrus, this harrowing, action-filled, and ultimately inspiring documentary has given hope to audiences around the world with its story of the ground-breaking nonviolent movement spreading across the Occupied Palestinian Territories.</p>
<p><span style="font-size: 14px;"><strong>DVD Special Features:</strong><br />
<span style="font-size: 12px;">Trailer<br />
<span style="font-size: 12px;">Q&amp;A with Director</span><br />
<span style="font-size: 12px;">Checkpoints Award</span><br />
<span style="font-size: 12px;"><em>&#8220;What&#8217;s your Calling&#8221;</em></span><br />
<span style="font-size: 12px;">Language: Arabic, Hebrew &amp; English | Subtitles: English</span></span></span></p>
<h6><span style="text-decoration: underline;">Reviews:</span></h6>
<p><span style="font-size: 12px;">“A poignant chronicle… This inspiring  documentary stresses peaceful resistance as the best means of conﬂict resolution.” - Variety</span></p>
<p><span style="font-size: 12px;">“A complex &#8230; documentary that shows a balanced picture of its competing protagonists. It finds a story for the future&#8230; in the shape of a social movement driven by pragmatism.&#8221;  - Frankfurter Allgemeine Zeitun</span></p>
<p><span style="font-size: 12px;">“A moving sliver of hope that nonviolent resistance may yet blossom out of violence.&#8221; &#8211; New York Magazine</span></p>
<p><span style="font-size: 12px;">“A powerful film filled with the kind of hope you rarely see around this issue.&#8221; &#8211; Michael Moore</span></p>
<p><span style="font-size: 12px;">“ This story is a journey that stretches beyond borders to provide hope, and it should be seen by everyone.” &#8211; Jessica Alba, Actress</span></p>
<p><span style="font-size: 12px;">“A strong piece of work from intelligent filmmakers.&#8221; &#8211; The Jewish Week</span></p>
<p><span style="font-size: 12px;">“Budrus chronicles a small victory in a much larger and uncertain battle, but with so much hopelessness in the region, it’s worth highlighting and, hopefully, emulating.&#8221; &#8211; The Nation</span></p>
<p><br class="spacer_" /></p>
<h6>Trailer:</h6>
<p><br class="spacer_" /></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="340" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/LK-jR2lf-0U?fs=1&amp;hl=en_US&amp;color1=0x3a3a3a&amp;color2=0x999999" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="560" height="340" src="http://www.youtube.com/v/LK-jR2lf-0U?fs=1&amp;hl=en_US&amp;color1=0x3a3a3a&amp;color2=0x999999" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><br class="spacer_" /></p>
<h6><a name="OnTV"></a><span style="text-decoration: underline;">On TV</span></h6>
<p><br class="spacer_" /></p>
<p>This film is not yet on TV.</p>
<p><br class="spacer_" /></p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p><br class="spacer_" /></p>
<address><span style="font-style: normal;">December 20th &#8211; 23rd, 2010 &#8211; </span>Real Art Ways<span style="font-style: normal;"> - <strong>Hartford, Connecticut </strong></span></address>
<address><span style="font-style: normal;">December 20th &#8211; 24th, 2010 &#8211; </span>Varsity Theater &#8211; <span style="font-style: normal;"><strong>Seattle, WA</strong></span></address>
<address><span style="font-style: normal;">December 27th &#8211; 30th, 2010 &#8211; </span>Facets Cinematheque<span style="font-style: normal;"> - <strong>Chicago, Illinois</strong></span></address>
<address><span style="font-style: normal;">January 3rd, 2011 &#8211; </span>Haifa Cinematheque<span style="font-style: normal;"> - <strong>Haifa, Israel</strong></span></address>
<address><span style="font-style: normal;">January 6th, 2011 -</span> SPACE Gallery<span style="font-style: normal;"> - <strong>Portland, Maine</strong></span></address>
<address><span style="font-style: normal;">January 7th &#8211; 13th, 2011 &#8211; </span>Urban Institute for Contemporary Arts <span style="font-style: normal;">- <strong>Grand Rapids, Michigan</strong></span></address>
<address><span style="font-style: normal;">January 14th &#8211; 20th, 2011 &#8211; </span>Shattuck 10<span style="font-style: normal;"> &#8211; <strong>Berkley, California</strong></span></address>
<address><span style="font-style: normal;">January 14th &#8211; 20th, 2011 &#8211; </span>Lumiere Theater &amp; Opera Plaza <span style="font-style: normal;">- <strong>San Fransisco, California</strong></span></address>
<address><span style="font-style: normal;">January 29th &amp; 31st, 2011 &#8211; </span>Varsity Theatre &#8211; <strong>Davis, California</strong></address>
<address><span style="font-style: normal;">February 16th, 2011 &#8211; </span>Avon Theatre Film Center Inc. &#8211; <span style="font-style: normal;"><strong>Stamford, Connecticut</strong></span></address>
<address><span style="font-style: normal;">February 25th &#8211; 27th, 2011 &#8211; </span>Flint Institute of Arts &#8211; <span style="font-style: normal;"><strong>Flint, Michigan</strong></span></address>
<address><span style="font-style: normal;">March 18th &#8211; 24th, 2011 &#8211; </span>Main Art Theatre &#8211; <span style="font-style: normal;"><strong>Royal Oak, Michigan</strong></span></address>
<address><span style="font-style: normal;">March 28th &#8211; 30th, 2011 &#8211; </span>Fine Arts Theatre &#8211; <span style="font-style: normal;"><strong>Asheville, North Carolina</strong></span></address>
<address><span style="font-style: normal;">May 3, 2011 - Bryn Mawr Film Institute - <strong>Bryn Mawr, Pennsylvania</strong></span></address>
<address><span style="font-style: normal;">May 27, 2011 - Culver Center for the Arts - <strong>Riverside, California</strong></span></address>
<p><br class="spacer_" /></p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<p>&nbsp;</p>
<p><strong>Winner, Bellingham Human Rights Film Festival, 2011</strong><br />
<strong>Winner, Inaugural Ridenhour Documentary Film Prize, 2011</strong><br />
<strong>Winner, Amnesty&#8217;s Matter of Act Human Rights Award, 2011</strong><br />
<strong>Winner, Panorama Audience Award Second Prize, Berlin International Film Festival, 2010</strong><br />
<strong>Winner, Special Jury Mention, Tribeca Film Festival, 2010<br />
Winner, Audience Award, San Francisco International Film Festival, 2010<br />
Winner, Honorable Mention Spirit of Freedom Award, Jerusalem International Film Festival 2010<br />
Winner, Witness Award at Silverdocs Film Festival, 2010<br />
Winner, Honorable Mention of the Jury, Documenta Madrid 10<br />
Winner, Amnesty Italia Award, Pesaro Film Festival, 2010<br />
Winner, Founders Prize, Best of Fest, Nonfiction, Traverse City Film Festival, 2010<br />
Winner, Checkpoints Award, Bergen International Film Festival, 2010<br />
Winner, Festival des Libertés Prize, Festival des Libertés, 2010<br />
Winner, Spirit of Freedom Documentary Award, Bahamas International Film Festival, 2010</strong></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Cultural Bridge Gala, Dubai International Film Festival, 2009</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Human Rights Watch International Film Festival London, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Thessaloniki International Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, E Tudo Verdade/It’s All True Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Hot Docs Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Sydney Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Planete Doc Review, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Documentarist Film Festival, Istanbul, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, DokuFest Kosovo, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Woods Hole Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Rhode Island International Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, EBS International Documentary Festival, Korea, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Festival do Rio, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Take One Action Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Bergen International Film Festival, Norway, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Mumbai International Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Festival des Libertes, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Doha Tribeca Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Jihlava International Documentary Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, St. Louis International Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">Official Selection, Milwaukee International Film Festival, 2010</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;">Official Selection, Palm Beach Jewish Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Jakarta International Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Bend Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Toronto Palestine Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Boston Palestine Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Arab Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Rehoboth Beach Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Ad Hoc: Inconvenient Films, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, One World Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Lens Politica Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Doha Tribeca Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Reykjavik International Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;"> </span><span style="font-size: 12px;">Official Selection, Camden International Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;">Official Selection, Palestine Human Rights Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;">Official Selection, Global Peace Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;">Official Selection, International Women&#8217;s Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;">Official Selection, San Francisco Jewish Film Festival, 2010</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><em><span style="font-size: 12px;">Additional Awards:</span></em></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;"><span style="font-size: 12px;">Winner, King Hussein Leadership Prize, 2009</span></p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">&nbsp;</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">&nbsp;</p>
<p><script src="http://jsapi.netflix.com/us/api/w/s/sp100.js"></script></p>
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		</item>
		<item>
		<title>War, Love, God, &amp; Madness</title>
		<link>http://typecastfilms.com/1959/war-love-god-madness/</link>
		<comments>http://typecastfilms.com/1959/war-love-god-madness/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:24:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<category><![CDATA[Iraq]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1959</guid>
		<description><![CDATA[While visiting Iraq for the premiere of his debut feature film in 2007, Mohamed summons the courage to look back over the last three turbulent years of his life that saw the creation of his feature film in a volatile war zone.]]></description>
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<td><a href="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE_Boy-painting-Saddam-e1308858677649.jpg" rel="lytebox[1959]"><img class="alignleft size-thumbnail wp-image-2119" title="WARLOVE_Boy painting Saddam" src="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE_Boy-painting-Saddam-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/11/dvd-war-love-god-madness.jpg" rel="lytebox[1959]"><img class="alignleft size-full wp-image-1965" title="WARLOVE_cover_cropped" src="http://typecastfilms.com/wp-content/uploads/2010/11/dvd-war-love-god-madness.jpg" alt="" width="213" height="320" /></a></td>
<td><a href="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE_Filming-Ahlaam-e1308858660963.jpg" rel="lytebox[1959]"><img class="alignleft size-thumbnail wp-image-2120" title="WARLOVE_Filming Ahlaam" src="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE_Filming-Ahlaam-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<td><a href="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE-Baghdad-Border-e1308858609883.jpg" rel="lytebox[1959]"><img class="alignleft size-thumbnail wp-image-2121" title="WARLOVE-Baghdad Border" src="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE-Baghdad-Border-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td><a href="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE_Three-Children-e1308858624538.jpg" rel="lytebox[1959]"><img class="alignleft size-thumbnail wp-image-2122" title="WARLOVE_Three Children" src="http://typecastfilms.com/wp-content/uploads/2010/11/WARLOVE_Three-Children-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<h6><span style="text-decoration: underline;">D</span><span style="text-decoration: underline;">escription:</span></h6>
<p>While visiting Iraq in 2007 for the premiere of his first feature film, Ahlaam, director Mohamed Al-Daradji summons the courage to look back over the turbulent past three years of his life and the making of his film in a volatile war zone.</p>
<p>Undaunted by ever present dangers and heartbreaking chaos, Mohamed returned to his home in Baghdad in 2004. The Iraq he had once known had vanished, replaced by the gritty aftermath of 35 years of dictatorship, three wars, and the wake of occupation. Finding the once vibrant streets consumed by unemployment, poverty, and madness, he strives to fulfill his dream of making a film in the country he loves.</p>
<p>Determined not to succumb to physical and emotional strife, Mohamed&#8217;s camera rolls on as the world begins to unravel around him. A spectrum of society previously sidelined by images of war is introduced to the audience: a young child sings for Saddam; a father grieves for his hanged son; a young actor thinks back on his time in prison; a troubled friend becomes lost in madness.</p>
<p>Struggling against seemingly insurmountable hurdles involving persecution, imprisonment, personal injury, terrorist attacks, and the numerous restrictions established by U.S. troops, Al-Daradji proves himself to be one of the world’s most truly independent filmmakers. <em>War, Love, God, &amp; Madness</em> is the riveting film that documents his experience of making cinematic art in one of the most dangerous and chaotic places on Earth.</p>
<h6><span style="text-decoration: underline;">Reviews:</span></h6>
<blockquote><p><strong>&#8220;The horrific toll on cast and crew during the making of Iraqi feature <em>Ahlaam</em> is told by its helmer, Mohamed Al-Daradji, in <em>War, Love, God, &amp; Madness</em>. More than merely a companion piece to the 2005 drama, docu provides a disturbing look at the situation in occupied Baghdad, when safety was illusory and kidnapping and torture became not merely a hypothetical fear but a reality.&#8221;</strong> &#8211; Jay Weissberg, <em>Variety</em></p>
<p><em><strong>&#8220;War, Love, God, &amp; Madness </strong></em><strong>offers a staggering and petrifying insight into the very real dangers faced by Al-Daradji and his crew as they attempt to give politics a bodyswerve, in favour of lending the average person on the street a voice.&#8221;</strong> &#8211; Amber Wilkinson, <em>Eye for Film</em></p>
<p><strong>&#8220;This isn’t just a film about making a film, but a film about not letting go of your dreams even when circumstances are at their worst.</strong>&#8221; &#8211; Robin Ruinsky,<em> Film School </em><em>Rejects</em></p>
<p><strong>&#8220;An amazing and uplifting documentary, which shows precisely how dangerous shooting in Iraq can be.&#8221;</strong> &#8211; Mark Kermode<em>, BBC</em></p></blockquote>
<h6><span style="text-decoration: underline;">Trailer:</span></h6>
<p>&nbsp;</p>
<p><object width="560" height="349" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/50c2OqxrRlI" /><param name="allowfullscreen" value="true" /><embed width="560" height="349" type="application/x-shockwave-flash" src="http://www.youtube.com/v/50c2OqxrRlI" allowFullScreen="true" allowscriptaccess="always" allowfullscreen="true" /></object></p>
<p>&nbsp;</p>
</div>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<p>&nbsp;</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2008 &#8211; Premiered at the Rotterdamn International Film Festival</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2008 &#8211; Top 10 Best Films at the Tribeca International Film Festival</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2009 &#8211; Grand Jury Prize at the Ismailia International Film Festival (Egypt)</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2009 &#8211; Cinema City International Film Festival (Siberia)</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2010 &#8211; Jury Special Mention at the Moqavemat International Film Festival (Iran)</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2010 &#8211; Bradford International Film Festival (UK)</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2010 &#8211; Washington D.C. International Film Festival: Arabian Sights</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2011 &#8211; Thessaloniki International Film Festival</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2011 &#8211; San Francisco Arab Film Festival</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">2011 &#8211; Calgary Arab Film Festival</p>
<p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; text-align: left; margin: 0px;">
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		<title>Floored</title>
		<link>http://typecastfilms.com/1918/floored/</link>
		<comments>http://typecastfilms.com/1918/floored/#comments</comments>
		<pubDate>Sat, 13 Nov 2010 00:21:43 +0000</pubDate>
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		<description><![CDATA[With "an elegiac poignancy" (New York Times), director James Allen Smith's Floored "captures the waning heyday of the Chicago Trading Pits" (ABC News) and tells the bizarre and gripping stories of the traders—"overgrown kids with money, brains and a pathological need to release stress" (Barron's) whose chaotic, audacious and thrill-seeking way of life has all but vanished with the recent shift toward automated computerized stock trading.]]></description>
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<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/11/FLOORED_light_boards-e1308850249579.jpg" rel="lytebox[1918]"><img class="alignleft size-thumbnail wp-image-2112" title="FLOORED_light_boards" src="http://typecastfilms.com/wp-content/uploads/2010/11/FLOORED_light_boards-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/11/floored-DVD-cover-e1308850183776.jpg" rel="lytebox[1918]"><img class="alignleft size-full wp-image-2116" title="floored-cover-dvd" src="http://typecastfilms.com/wp-content/uploads/2010/11/floored-DVD-cover-e1308850183776.jpg" alt="" width="228" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/11/Mike_Walsh_On_Safari-e1308850233711.jpg" rel="lytebox[1918]"><img class="alignleft size-thumbnail wp-image-2114" title="Mike_Walsh_On_Safari" src="http://typecastfilms.com/wp-content/uploads/2010/11/Mike_Walsh_On_Safari-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/11/sad-screenshot-e1308850265567.jpg" rel="lytebox[1918]"><img class="alignleft size-thumbnail wp-image-2113" title="sad screenshot" src="http://typecastfilms.com/wp-content/uploads/2010/11/sad-screenshot-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/11/FLOORED_Trading_Floor_Overhead_web-e1308850212532.png" rel="lytebox[1918]"><img class="alignleft size-thumbnail wp-image-2115" title="FLOORED_Trading_Floor_Overhead_web" src="http://typecastfilms.com/wp-content/uploads/2010/11/FLOORED_Trading_Floor_Overhead_web-150x150.png" alt="" width="150" height="150" /></a></td>
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<h6 class="aligncenter"><span style="font-family: verdana, geneva; font-size: small; color: #3366ff;"><strong>Blu-ray version is available. <a href="http://typecastfilms.com/shop/floored/">Click here</a> to buy the Blu-ray</strong></span></h6>
<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p>With &#8220;an elegiac poignancy&#8221; (New York Times), director James Allen Smith&#8217;s <em>Floored</em> &#8221; captures the waning heyday of the Chicago Trading Pits&#8221; (ABC News) and tells the bizarre and gripping stories of the traders—&#8221;overgrown kids with money, brains and a pathological need to release stress&#8221; (Barron&#8217;s) whose chaotic, audacious and thrill-seeking way of life has all but vanished with the recent shift toward automated computerized stock trading.</p>
<p>&#8220;A lively documentary about a profession that has almost been wiped out&#8221; (Bloomberg.com), <em>Floored</em> takes audiences into the lives of the Chicago trading floor&#8217;s everyman—from those who have gracefully adapted to the new age of electronic trading to those who have defiantly refused to change—and offers a fascinating examination of the never-ending pursuit of the American Dream. Prairie Miller of News Blaze calls <em>Floored</em> &#8220;a must-see about greed, material obsession, perpetually unfulfilled lust for loot, shoving matches, and suicide.&#8221;</p>
<h6><span style="text-decoration: underline;">Reviews:</span></h6>
<blockquote><p><br class="spacer_" /></p>
<p>&#8220;<em>Floored</em> focuses on the working-class wolves who stalk Chicago&#8230; Director James Allen Smith delves deep&#8230;&#8221;  - <em>Eric Hynes, <strong>Time Out</strong></em></p>
<p>&#8220;(Floored) captures waning heyday of Chicago Trading Pits&#8230;&#8221;  - <em>Michael Hirtzer<strong>, ABC News</strong></em></p>
<p>&#8220;There’s an elegiac poignancy in James Allen Smith’s <em>Floored</em>”  - <em>Andy Webster, <strong>The New York Times</strong></em></p>
<p><strong> </strong></p>
<p>&#8220;A must-see about greed, material obsession, perpetually unfulfilled lust for loot, shoving matches, and suicide.&#8221;  - <em>Prairie Miller, <strong>News Blaze</strong></em></p>
<p>“&#8230;a lively documentary about a profession that has almost been wiped out.&#8221;  - <em>Rick Warner, <strong>Bloomberg.com</strong></em></p>
<p><strong> </strong></p>
<p>&#8220;<em>Floored</em> profiles a handful of eccentric (read: obnoxious) traders attempting the difficult transition to electronic exchange. Stock-doc acknowledges the high-pressure stakes that led many traders to addiction and suicide&#8230;&#8221;  - <em>Andrew Schenker, <strong>Village Voice</strong></em></p>
<p>&#8220;I enjoyed the hell out of the film&#8221;  - <strong><em>Ain&#8217;t It Cool News</em></strong></p>
<p>&#8220;This is a memorable portrait of men whose experience buying and selling futures hardly prepared them for what their own future held in store.&#8221;  - <em>J.R. Jones, <strong>Chicago Reader</strong></em></p>
<p>&#8221; (Smith) captured the traders when their lives were at a turning point.&#8221;  - <strong><em>Crain&#8217;s</em></strong><em> <strong>New York Business</strong></em></p></blockquote>
<h6>Trailer:</h6>
<p><br class="spacer_" /></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="640" height="385" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/1nz7hMvBJeg?fs=1&amp;hl=en_US" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="640" height="385" src="http://www.youtube.com/v/1nz7hMvBJeg?fs=1&amp;hl=en_US" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<p><br class="spacer_" /></p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
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<p style="text-align: center;"><span style="font-size: x-small;"><span style="font-size: small;">Official Selection</span><br />
</span><strong><em>Austin Film Festival</em></strong></p>
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		<title>American Radical: The Trials of Norman Finkelstein</title>
		<link>http://typecastfilms.com/999/american-radical-the-trials-of-norman-finkelstein/</link>
		<comments>http://typecastfilms.com/999/american-radical-the-trials-of-norman-finkelstein/#comments</comments>
		<pubDate>Sat, 20 Mar 2010 00:44:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://typecastfilms.com/?p=999</guid>
		<description><![CDATA[A devoted son of Holocaust survivors and ardent critic of Israeli foreign policy, the polarizing American political scientist and author Norman Finkelstein has been called a lunatic and self-hating Jew by some, and an inspirational revolutionary by others. Uncompromising even in the face of his recent denial of tenure at DePaul University, Finkelstein is revealed as a complex, politically isolated figure who puts the pursuit of justice above the safety of his academic career. Exploring the difficult and deeply-felt issues at the heart of the Palestinian-Israeli conflict, American Radical is the insightful and enraging documentary that follows Finkelstein around the world as he attempts to negotiate a powerful voice among his impassioned critics and supporters.]]></description>
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<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_martyr-wall-e1308785226912.jpg" rel="lytebox[999]"><img class="aligncenter size-thumbnail wp-image-1519" title="AMRAD_martyr-wall" src="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_martyr-wall-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/American-Radicial-cinema-politica.jpg" rel="lytebox[999]"><img class="aligncenter size-full wp-image-1523" title="AMRAD_poster_final" src="http://typecastfilms.com/wp-content/uploads/2010/03/American-Radicial-cinema-politica.jpg" alt="" width="215" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_Norman_Dershowitz-e1308785204205.jpg" rel="lytebox[999]"><img class="aligncenter size-thumbnail wp-image-1521" title="AMRAD_Norman_Dershowitz" src="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_Norman_Dershowitz-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_Norman_protest-e1308785258820.jpg" rel="lytebox[999]"><img class="aligncenter size-thumbnail wp-image-1522" title="AMRAD_Norman_protest" src="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_Norman_protest-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_Norman-e1308784547307.jpg" rel="lytebox[999]"><img class="aligncenter size-thumbnail wp-image-1520" title="AMRAD_Norman" src="http://typecastfilms.com/wp-content/uploads/2009/03/AMRAD_Norman-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p style="text-align: justify;">A devoted son of Holocaust survivors and ardent critic of Israeli foreign policy, the polarizing American political scientist and author Norman Finkelstein has been called a lunatic and self-hating Jew by some, and an inspirational revolutionary by others. Uncompromising even in the face of his denial of tenure at DePaul University, Finkelstein is revealed as a complex, politically isolated figure who puts the pursuit of justice above the security of his academic career. Exploring the difficult and deeply-felt issues at the heart of the Palestinian-Israeli conflict, American Radical is the insightful and enraging documentary that follows Finkelstein around the world as he attempts to negotiate a powerful voice among his impassioned critics and supporters.</p>
<p style="text-align: justify;"><em>“For us, Norman Finkelstein is the consummate documentary subject: a complex firebrand, principled to the end, at the apex of some of the world’s longest conflicts. He rarely appears in mainstream media, yet always ends up in controversies. Finkelstein’s life is about focus, through a prism of his upbringing by Holocaust survivors. The dogged, relentless pursuit of his principles and foes can both inspire and repel. At once agitator, comedian, and merciless scholar, Finkelstein creates as many storms as he enters. Few will go where he does—a Jew deliberately walking into Hizbollah headquarters, into a Palestinian refugee camp, or into a room filled with those who vehemently oppose his views to speak his mind. When radicals collide, does it create more understanding? Some would argue that it does. Others would claim that Finkelstein’s principled but too often bitter advocacy does much to discredit the cause of a just resolution of the Israeli-Palestinian conflict. Audiences can decide for themselves.” </em>—directors David Ridgen &amp; Nicolas Rossier</p>
<h6><span style="text-decoration: underline;">Reviews:</span></h6>
<blockquote><p>&#8220;American Radical is a powerful film &#8212; brave, bold, incendiary. I highly recommend it!&#8221;<br />
<em> &#8211; Michael Moore, <span style="color: #000000;">award-winning documentary filmmaker</span></em></p>
<p>&#8220;American Radical is a nuanced and powerful portrait of the scholar Norman Finkelstien, one of the nation&#8217;s most courageous and embattled intellectuals.  It is a reminder that mendacity and timidity, when in the service of conventional beliefs, are more highly prized in most universities that truth.  It illustrates that those who unmask the lies of the intellectual elite swiftly become their victims.  The power and subtext of this film, however, is not in the wars fought between Finkelstien and those like Alan Dershowitz who seek to destroy him, but in Finkelstein&#8217;s powerful fealty to his mother&#8217;s suffering in the Warsaw Ghetto and later the Nazi death camps.  Finkelstein sees in all who are oppressed his mother&#8217;s degradation and pain.  This is a movie that is, at its core, about the unshakable bond of love between a parent and a true and faithful son who refuses to forget or compromise.&#8221;<br />
<em>—Chris Hedges, <span style="color: #000000;">former New York Times War &amp; Middle East Correspondent and author of &#8220;American Fascists&#8221;</span></em></p>
<p>“&#8217;American Radical: The Trials of Norman Finkelstein’ is a cautiously respectful documentary portrait of a political firebrand who presents himself as a beacon of moral truth in the murk of the Israeli-Palestinian conflict.”<br />
<em>—Stephen Holden, </em><em><a href="http://www.nytimes.com/2010/02/11/movies/11radical.html"><span style="color: #000000;">New York Times</span></a></em></p>
<p>“Surprisingly entertaining&#8230;a compelling portrait of a difficult man.”<br />
<em>—Mark Cohen, </em><em><a href="http://www.forward.com/articles/127217/"><span style="color: #000000;">The Jewish Daily Forward</span></a></em></p>
<p>“Presents a humanizing portrait of a complex and principled individual&#8230;‘American Radical’ deserves to be seen widely as a fascinating introduction to the man and his views.”<br />
<em>—Susan Ryan, </em><em><a href="http://www.cineaste.com/"><span style="color: #000000;">Cineaste Magazine</span></a></em></p>
<p>“A fascinating, well-rounded portrait of Finkelstein that simultaneously informs, inspires and infuriates…the filmmakers ride a delicate line, assembling a warts-and-all portrait that shows why Finkelstein is deeply respected and equally reviled.”<br />
<em>—Mark Achbar, <span style="color: #000000;">director of ’The Corporation’ and ’Manufacturing Consent: Noam Chomsky and the Media’</span></em></p>
<p>“With impressive restraint, the fascinatingly thorny ‘American Radical’ is less interested in the validity of Finkelstein’s ideas—seriously mounted, if inflammatory—and more in the topsy-turvy life of today’s professional academic. Amazingly, that choice doesn’t result in a boring movie.”<br />
<em>—Joshua Rothkopf, </em><em><a href="http://newyork.timeout.com/articles/film/82814/american-radical-the-trials-of-norman-finkelstein-film-review"><span style="color: #000000;">Time Out New York</span></a></em></p>
<p>“A guaranteed argument starter…an engaging portrait of an academic whose work is both fueled and undermined by his vitriolic personality.”<br />
<em>—J.R. Jones, </em><em><a href="http://www.chicagoreader.com/chicago/american-radical-the-trials-of-norman-finkelstein/Film?oid=1189804"><span style="color: #000000;">Chicago Reader</span></a></em></p>
<p>“‘American Radical’…presents a more balanced portrait of Finkelstein, who, when his passion doesn’t carry him off on a wave of anger, is shown to be thoughtful, intelligent and deeply melancholy.”<br />
<em>—George Robinson, <span style="color: #000000;">The Jewish Week</span></em></p>
<p>“(Norman Finkelstein’s) conclusions can be debated, his methods can be deplored, but as (‘American Radical’ directors) Ridgen and Rossier take pains to point out, a man so rigorously committed to putting an end to oppression ought not be so easily dismissed, even if coming to grips with such a challenging figure may be finally as difficult as getting to the bottom of the Arab-Israeli conflict itself.”<br />
<em>—Andrew Schenker, </em><em><a href="http://www.slantmagazine.com/film/review/american-radical/4662"><span style="color: #000000;">Slant Magazine</span></a></em></p>
<p>“A blood-boiling, very good documentary.”<br />
<em>—Mark Keizer, </em><em><a href="http://boxoffice.com/reviews/2010/02/american-radical-the-trials-of.php"><span style="color: #000000;">Boxoffice Magazine</span></a></em></p></blockquote>
<h6>Trailer:</h6>
<p>&nbsp;</p>
<p><object width="560" height="420" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=8337747&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed width="560" height="420" type="application/x-shockwave-flash" src="http://vimeo.com/moogaloop.swf?clip_id=8337747&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always" /></object></p>
<h6><a name="OnTV"></a><span style="text-decoration: underline;">On TV</span></h6>
<p><span class="Apple-style-span" style="font-size: 11px; font-weight: normal;"><br />
<span>AlJazeera English (International)</span><br />
<span>RT News (International)</span><br />
<span>LINK TV (US)</span><br />
<span>FSTV (US)</span><br />
<span>PBS selected stations (US)</span><br />
<span>AlJazeera Arabic (Middle East)</span><br />
<span>Yes TV (Israel)</span><br />
<span>TBS Latina (Latin America)</span><br />
<span>Historia (Spain)</span><br />
<span>Canal 7 (Argentina)</span><br />
<span>Planete (Poland)</span><br />
<span>IBRI TV</span><br />
<span>Press TV (International)</span><br />
<span>AlJazeera Turkey</span><br />
<span>AlJazeera Documentary Channel</span><br />
<span>Sky TV (NZ)</span></span></p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p>Typecast Releasing is pleased to announce that American Radical: The Trials of Norman Finkelstein, the new feature-length documentary film from directors David Ridgen (Mississippi Cold Case) and Nicolas Rossier (Aristide and the Endless Revolution), enjoyed a successful premiere and week-long run in NYC at Anthology Film Archives in February—with Norman Finkelstein and the directors in attendance at opening weekend screenings for Q&amp;A. A full list of theaters where American Radical will be playing can be found here:</p>
<p>* February 11-17, 2010 . <strong>New York, NY</strong> at Anthology Film Archives<br />
* March 8-11, 2010 . <strong>Seattle, WA</strong> at Northwest Film Forum<br />
* March 12-18, 2010 . <strong>Los Angeles, CA</strong> at Laemmle Theatres<br />
* March 23-30, 2010 . <strong>New Orleans, LA</strong> at Zeitgeist Multi-Disciplinary Arts Center<br />
* March 28, 2010 . <strong>San Francisco, CA</strong> at Yerba Buena Center for the Arts<br />
* April 15-16, 2010 . <strong>Columbus, OH</strong> at Wexner Center for the Arts<br />
* April 23-29, 2010 . <strong>Montreal, QC</strong> at Cinema du Parc<br />
* May 23-26, 2010 . <strong>Vancouver, BC</strong> at Pacific Cinematheque<br />
* June 3, 2010 . <strong>San Francisco, CA</strong> at Roxie Theater<br />
* August 8-12, 2010 . <strong>Saskatoon, SK</strong> at the Broadway Theatre<br />
* November 11, 2010 . <strong>Philadelphia, PA</strong> at <a title="AmRad in Philadelphia" href="http://www.ihousephilly.org/programs-film-at-IHouse.htm" target="_blank">International House</a></p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<table class="laurels" border="0">
<tbody>
<tr>
<td>
<p style="text-align: center;"><strong><span style="font-size: x-small;"><span style="font-size: small;">Winner</span><br />
</span> <span style="font-weight: normal;"><span style="font-size: x-small;"><span style="font-size: xx-small;">Audience Choice Award<br />
</span> </span> </span><em><span style="font-weight: normal;"><span style="font-size: xx-small;">Chicago Underground FF</span></span></em></strong></p>
</td>
</tr>
</tbody>
</table>
<p>*<strong>September 2009</strong> . Chicago Underground Film Festival . Chicago, IL. USA<br />
*<strong>September 2009</strong> . DocuDays: Beirut International Film Festival . Beirut . LEBANON<br />
*<strong>October 2009</strong> . North of Nowhere Expo . Edmonton, AB . CANADA<br />
*<strong>October 2009</strong> . Boston Palestine Film Festival . Boston, MA. USA<br />
*<strong>October 2009</strong> . Carleton Cinema Politica . Ottawa, ON . CANADA<br />
*<strong>November 2009</strong> . Sheffield International Documentary Festival . Sheffield . ENGLAND<br />
*<strong>November 2009</strong> . Copenhagen International Documentary Festival . Copenhagen . DENMARK<br />
*<strong>November 2009</strong> . International Documentary Festival of Amsterdam . Amsterdam . THE NETHERLANDS<br />
*<strong>November 2009</strong> . Rencontres Internationales du Documentaire de Montreal . Montreal, QC . CANADA<br />
*<strong>December 2009</strong> . Jerusalem Jewish Film Festival . Jerusalem . ISRAEL<br />
*<strong>January 2010</strong> . Argus Film Festival . Denver, CO . USA<br />
*<strong>January 2010</strong> . Atlanta Jewish Film Festival . Atlanta, GA . USA<br />
*<strong>March 2010</strong> . KinoTeatr.doc Film Festival . Moscow . RUSSIA<br />
*<strong>March 2010</strong> . New Orleans International Human Rights Film Festival . New Orleans, LA . USA<br />
*<strong>April 2010</strong> . Buenos Aires Festival Internacional de Cine . Buenos Aires . ARGENTINA<br />
*<strong>April 2010</strong> . Frontline Film Screenings . London . ENGLAND<br />
*<strong>April 2010</strong> . It&#8217;s All True Documentary Film Festival . Sao Paolo &amp; Rio de Janeiro . BRAZIL<br />
*<strong>April 2010</strong> . Chicago Palestine Film Festival . Chicago, IL . USA<br />
*<strong>May 2010</strong> . Hot Docs Film Festival . Toronto, ON . CANADA<br />
*<strong>May 2010</strong> . DOXA Documentary Film Festival . Vancouver, BC . CANADA<br />
*<strong>May 2010</strong> . Planete Doc Review Film Festival . Warsaw . POLAND<br />
*<strong>June 2010</strong> . Biografilm Festival . Bologna . ITALY<br />
*<strong>June 2010</strong> . Documentarist Film Festival . Istanbul . TURKEY<br />
*<strong>July 27-August 1, 2010</strong> . Traverse City Film Festival . Traverse City, MI . USA<br />
*<strong>September 10-19, 2010</strong> . Milano Film Festival . Milan . ITALY<br />
*<strong>October 1-21, 2010</strong> . Tri-Continental Film Festival . Johannesburg . SOUTH AFRICA<br />
*<strong>October 20-27, 2010</strong> . Bergen International Film Festival . Bergen . NORWAY<br />
*<strong>November 8-12, 2010</strong> . Iran International Documentary Film Festival . Tehran . IRAN<br />
*<strong>November 23-28, 2010</strong> . Warsaw Jewish Film Festival . Warsaw . POLAND<br />
*<strong>January 2011</strong> . Courrier International/Mk2 Night . Paris . France<br />
*<strong>February 2011</strong> . Documentary Edge Film Festival . Auckland . New Zealand<br />
*<strong>April 2011</strong> . <a title="London Palestinian Film Festival" href="http://www.palestinefilm.org/" target="_blank">London Palestinian Film Festival</a> . London . UK<br />
*<strong>May 2011</strong> . <a title="Cinema Politica" href="http://www.cinemapolitica-paris.fr/" target="_blank">Cinema Politica</a> . Paris . France</p>
<p>&nbsp;</p>
<h6>Links:</h6>
<p>Review: Finkelstein&#8217;s transformation to victim hero in &#8220;American Radical&#8221; &#8211; <a href="http://electronicintifada.net/v2/article11134.shtml">Electronic Intifada</a></p>
<table id="filmImageTable">
<tbody>
<tr>
<td>Prof. Finkelstein talks about <em>American Radical</em> on <a href="http://www.democracynow.org/2010/3/23/norman_finkelstein_responds_to_clinton_netanyahu">Democracy Now!</a></td>
</tr>
<tr>
<td></td>
</tr>
</tbody>
</table>
<p style="text-align: center;"><a href="http://www.orbooks.com"><img class="aligncenter" src="http://orbooks.com/ndxz-studio/site/sample/materials/this-time-cover.jpg" alt="" width="200" /></a></p>
<p>Interested in the work of Prof. Finkelstein? Take a look at &#8220;This Time We Went Too Far,&#8221; his newest book at the <a href="http://www.orbooks.com">ORBooks website.</a></p>
<p>“Better than any other book, <em>‘This Time We Went Too Far’</em> shows how the massive destruction visited on Gaza was not an accidental byproduct of the Israeli invasion but its barely concealed objective.” — Raja Shehadeh, author, <em>Palestinian Walks</em></p>
<h6><span style="text-decoration: underline;"><a name="OnDemand"></a>On Demand</span></h6>
<p>Watch this film instantly through YouTube Rentals!</p>
<p style="text-align: center;"><a href="http://www.youtube.com/watch?v=-jf4mf__Ans&amp;feature=channel"><img class="aligncenter size-medium wp-image-1744" title="watchNow" src="http://typecastfilms.com/wp-content/uploads/2010/03/watchNow-300x62.png" alt="" width="300" height="62" /></a></p>
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		<title>Iraq in Fragments</title>
		<link>http://typecastfilms.com/1093/iraq-in-fragments/</link>
		<comments>http://typecastfilms.com/1093/iraq-in-fragments/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:57:06 +0000</pubDate>
		<dc:creator>Matilyn</dc:creator>
				<category><![CDATA[FilmPage]]></category>
		<category><![CDATA[Home Page]]></category>
		<category><![CDATA[NETFLIX]]></category>
		<category><![CDATA[On Demand]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Iraq]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1093</guid>
		<description><![CDATA[An opus in three parts, <strong><em>Iraq In Fragments</em></strong> offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied.]]></description>
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<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments12_use-e1308851697914.jpg" rel="lytebox[1093]"><img class="aligncenter size-thumbnail wp-image-1462" title="Iraq_in_Fragments12_use" src="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments12_use-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/IRAQINFRAGMENTS-D.DVD_.Cover_.Front_.RGB_.72dpi.jpg" rel="lytebox[1093]"><img class="aligncenter size-full wp-image-1466" title="IRAQINFRAGMENTS-D.DVD.Cover.Front.RGB.72dpi" src="http://typecastfilms.com/wp-content/uploads/2010/03/IRAQINFRAGMENTS-D.DVD_.Cover_.Front_.RGB_.72dpi.jpg" alt="" width="222" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments18_use-e1308851531412.jpg" rel="lytebox[1093]"><img class="aligncenter size-thumbnail wp-image-1464" title="Iraq_in_Fragments18_use" src="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments18_use-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments14_use-e1308851549722.jpg" rel="lytebox[1093]"><img class="aligncenter size-thumbnail wp-image-1463" title="Iraq_in_Fragments14_use" src="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments14_use-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments19_use-e1308851517711.jpg" rel="lytebox[1093]"><img class="aligncenter size-thumbnail wp-image-1465" title="Iraq_in_Fragments19_use" src="http://typecastfilms.com/wp-content/uploads/2010/03/Iraq_in_Fragments19_use-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<h6 class="aligncenter"><span style="font-family: verdana, geneva; color: #ff0000; font-size: medium;"><strong>This title is currently out of print.</strong></span></h6>
<p>&nbsp;</p>
<h6><strong><span style="text-decoration: underline;">Description:</span></strong></h6>
<p><strong>2-Disc Special Edition!</strong></p>
<p>An opus in three parts, <strong><em>Iraq In Fragments</em></strong><em> </em> offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied.</p>
<p>American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds. Winner of Best Director, Best Cinematography and Best Editing awards in the 2006 Sundance Film Festival documentary competition, the film was also awarded the Grand Jury Prize at the 2006 Full Frame Documentary Film Festival, was named Best Documentary at the Chicago International Film Festival, and was nominated for Best Documentary at the 2007 Academy Awards.</p>
<p><strong>Special Features</strong></p>
<ul>
<li>Feature-length audio commentary by director James Longley</li>
<li>James Longley&#8217;s short film <strong><em>Iraq Before The War</em></strong><em> </em></li>
<li>James Longley&#8217;s Academy Award nominated (2008) short film <strong><em>Sari&#8217;s Mother</em></strong><em> </em> on Home Video DVD copies</li>
<li>15-minute director interview hosted by film critic Robert Horton</li>
<li>Short films by students from Baghdad&#8217;s Independent Film &amp; Television College</li>
<li>English, French, German, Japanese &amp; Spanish subtitle options</li>
<li>5.1 &amp; 2.0 audio</li>
<li>Beautiful 16&#215;9 transfer</li>
<li>Trailers</li>
</ul>
<p>&nbsp;</p>
<h6>Reviews:</h6>
<p><em><strong>“. . . if Longley&#8217;s astonishing feat of poetic agitation has a precedent in the entire history of documentary, I&#8217;m not aware of it.”</strong></em><strong> </strong>- Rob Nelson, <span style="text-decoration: underline;">The Village Voice</span></p>
<p><em><strong>&#8220;[An] evocative, heartbreaking documentary told from three disparate but equally compelling perspectives: the Sunnis, Shiites and Kurds.&#8221;</strong></em> &#8211; Kevin Williamson,<span style="text-decoration: underline;"> Jam!Movies</span></p>
<p><em><strong>&#8220;Iraq in Fragments &#8230; is a well-crafted, thoughtful study of the dueling divisiveness and hope that will define the region long after foreign troops leave.&#8221;</strong></em><strong> </strong>- John Monaghan, <span style="text-decoration: underline;">Detroit Free Press</span></p>
<p><em><strong>&#8220;A timely, lyrical and candid look at daily life in a post-invasion Iraq.&#8221;</strong></em><strong> </strong>- Dennis Schwartz, <span style="text-decoration: underline;">Ozus&#8217; World Movie Reviews</span></p>
<p><em><strong>&#8220;James Longley&#8217;s haunting, oblique film, Iraq in Fragments, presents a collage of images, sounds and characters in an intimate, partial portrait of an unraveling nation.&#8221;</strong></em><strong> </strong>- A.O. Scott, <span style="text-decoration: underline;">New York Times</span></p>
<p><em><strong>&#8220;The struggles recorded in his dazzling Iraq in Fragments aren&#8217;t battlefield conflicts, but the personal, religious and political efforts of Iraqi citizens to reassemble their shattered lives.&#8221;</strong></em> &#8211; Colin Covert, <span style="text-decoration: underline;">Minneapolis Star Tribune</span></p>
<p><em><strong>&#8220;A remarkable example of the conjunction of a burningly topical and newsworthy subject with a brilliant filmmaker.&#8221;</strong> </em>- Michael Wilmington, <span style="text-decoration: underline;">Chicago Tribune</span></p>
<p><em><strong>&#8220;The film is unusual among Iraq documentaries for its impressionistic, frequently gorgeous cinematography and for its structure &#8230;&#8221;</strong></em> &#8211; Kyle Smith, <span style="text-decoration: underline;">New York Post</span></p>
<p><em><strong>&#8220;A documentary of stunning immediacy and marvelous images&#8230;&#8221;</strong> </em> &#8211; Joe Morgenstern, <span style="text-decoration: underline;">Wall Street Journal</span></p>
<p>&nbsp;</p>
<h6>Trailer:</h6>
<p><object width="560" height="315" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10535967&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed width="560" height="315" type="application/x-shockwave-flash" src="http://vimeo.com/moogaloop.swf?clip_id=10535967&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always" /></object></p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p>This film is not currently playing in theaters.</p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<table class="laurels" border="0">
<tbody>
<tr>
<td>
<p style="text-align: center;"><strong><span style="font-size: small;">Winner</span><br />
<span style="font-weight: normal; font-size: xx-small;">Best Director</span></strong><br />
<em>Sundance Film Festival</em></p>
</td>
<td>
<p style="text-align: center;"><strong><span style="font-size: small;">Winner</span><br />
<span style="font-weight: normal; font-size: xx-small;">Best Documentary</span></strong><br />
<em>Gotham Awards</em></p>
</td>
<td>
<p style="text-align: center;"><strong><span style="font-size: small;">Winner</span><br />
<span style="font-weight: normal; font-size: xx-small;">Best Documentary</span></strong><br />
<em>IDA Awards</em></p>
</td>
</tr>
</tbody>
</table>
<p>Academy Award Nominee: Best Documentary Feature, 2006</p>
<p>&nbsp;</p>
<p><strong>Home Video DVD copies also include Sari&#8217;s Mother, an Academy Award Nominee for Best Documentary Short, 2007. Also available on Blu-ray!</strong></p>
<h6><span style="text-decoration: underline;"><a name="OnDemand"></a>On Demand</span></h6>
<p>Watch this film instantly through YouTube Rentals!</p>
<p><a href="http://www.youtube.com/watch?v=cKWn22u2sco"><img class="aligncenter size-medium wp-image-1744" title="watchNow" src="http://typecastfilms.com/wp-content/uploads/2010/03/watchNow-300x62.png" alt="" width="300" height="62" /></a></p>
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		<title>Seattle Women in Film</title>
		<link>http://typecastfilms.com/1254/seattle-women-in-film/</link>
		<comments>http://typecastfilms.com/1254/seattle-women-in-film/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:37:29 +0000</pubDate>
		<dc:creator>Matilyn</dc:creator>
				<category><![CDATA[FilmPage]]></category>
		<category><![CDATA[Home Video]]></category>
		<category><![CDATA[Institutional]]></category>
		<category><![CDATA[NETFLIX]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1254</guid>
		<description><![CDATA[Seattle's do-it-yourself ethic and uncompromising artistic sensibilities are at the center of Seattle Women in Film, an eclectic collection of the best short films by Seattle's top women filmmakers.]]></description>
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<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/1swif-e1308855416271.jpg" rel="lytebox[1254]"><img class="aligncenter size-thumbnail wp-image-1402" title="1swif" src="http://typecastfilms.com/wp-content/uploads/2010/03/1swif-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/dvd.cover_.women_.in_.film-large-e1308855350996.jpg" rel="lytebox[1254]"><img class="aligncenter size-full wp-image-1408" title="dvd.cover.women.in.film-large" src="http://typecastfilms.com/wp-content/uploads/2010/03/dvd.cover_.women_.in_.film-large.jpg" alt="" width="225" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/3swif-e1308855384258.jpg" rel="lytebox[1254]"><img class="aligncenter size-thumbnail wp-image-1404" title="3swif" src="http://typecastfilms.com/wp-content/uploads/2010/03/3swif-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
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<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/2swif-e1308855401136.jpg" rel="lytebox[1254]"><img class="aligncenter size-thumbnail wp-image-1403" title="2swif" src="http://typecastfilms.com/wp-content/uploads/2010/03/2swif-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/4swif-e1308855368162.jpg" rel="lytebox[1254]"><img class="aligncenter size-thumbnail wp-image-1405" title="4swif" src="http://typecastfilms.com/wp-content/uploads/2010/03/4swif-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
</tbody>
</table>
<h6><strong><span style="text-decoration: underline;">Description:</span></strong></h6>
<p>Seattle&#8217;s do-it-yourself ethic and uncompromising artistic sensibilities are at the center of <strong><em>Seattle Women in Film</em></strong><em> </em>, an eclectic collection of the best short films by Seattle&#8217;s top women filmmakers.</p>
<p>Presenting a total of twenty-one works, each by a different filmmaker, <strong><em>Seattle Women in Film</em></strong><em> </em> features witty, accomplished and imaginative shorts that provide a rare peek into the heart of the Seattle independent film scene.</p>
<p>Curated by Seattle&#8217;s own 911 Media Arts Center, the <strong><em>Seattle Women in Film</em></strong><em> </em> collection is sure to impress and inspire, while giving audiences around the globe a glimpse of the Emerald City&#8217;s independent filmmaking spirit.</p>
<h6>The Films</h6>
<table style="width: 450px;" border="0" frame="hsides">
<tbody>
<tr style="background-color: #5f6061;">
<td style="text-align: center;"><strong><span style="font-size: small;"><span style="color: #ffffff;">Filmmaker(s)</span></span></strong></td>
<td style="text-align: center;"><strong><span style="font-size: small;"><span style="color: #ffffff;">Film Title</span></span></strong></td>
</tr>
<tr>
<td>Virginia Bogert</td>
<td>Tootie Pie</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Cheryl Slean</td>
<td>Diggers</td>
</tr>
<tr>
<td>Megan Griffiths &amp; Celia Beasley</td>
<td>Proscenium</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Heather Ayres</td>
<td>Lipstick Men</td>
</tr>
<tr>
<td>Sue Corcoran</td>
<td>Circus of Infinity</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Lynn Shelton</td>
<td>Moral Centralia</td>
</tr>
<tr>
<td>Dayna Hanson</td>
<td>Diesel Engine</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Salise Hughes</td>
<td>Tidal Wave</td>
</tr>
<tr>
<td>Sarah Jane Lapp</td>
<td>Chronicles of an Asthmatic Stripper</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Ann Coppel</td>
<td>I Am Ann</td>
</tr>
<tr>
<td>Laura Jean Cronin</td>
<td>Free Parking</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Christy Elton</td>
<td>Portrait of a Portrait</td>
</tr>
<tr>
<td>Karn Junkinsmith</td>
<td>Bus Stop</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Wilson Diehl</td>
<td>How To Go On A Man Date</td>
</tr>
<tr>
<td>Meredith Binder</td>
<td>Rent’s Due</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Britta Johnson</td>
<td>But Soft</td>
</tr>
<tr>
<td>SJ Chiro</td>
<td>Little Red Riding Hood</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Maureen Whiting</td>
<td>Bear Go Home</td>
</tr>
<tr>
<td>Steph Kese</td>
<td>The Pact</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Laurie Hicks</td>
<td>Love Inc.</td>
</tr>
<tr>
<td>Jennifer Maas</td>
<td>Laptop Story</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<h6><strong>Trailer:</strong></h6>
<p>Trailer Reel 1:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="420" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10539859&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="560" height="420" src="http://vimeo.com/moogaloop.swf?clip_id=10539859&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<p>Trailer Reel 2:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="420" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10558645&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="560" height="420" src="http://vimeo.com/moogaloop.swf?clip_id=10558645&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p>This film is no longer in theaters.</p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<p>This film is no longer in festivals.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>International Documentary Challenge</title>
		<link>http://typecastfilms.com/1234/international-documentary-challenge/</link>
		<comments>http://typecastfilms.com/1234/international-documentary-challenge/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 17:16:38 +0000</pubDate>
		<dc:creator>Matilyn</dc:creator>
				<category><![CDATA[FilmPage]]></category>
		<category><![CDATA[Home Video]]></category>
		<category><![CDATA[Institutional]]></category>
		<category><![CDATA[NETFLIX]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[International Documentary Challenge]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1234</guid>
		<description><![CDATA[Write, shoot and edit a short non-fiction film in just 5 days. You must use an all-volunteer crew, none of whom will be getting much sleep in order to submit the film before the judges' deadline.]]></description>
			<content:encoded><![CDATA[<table id="filmImageTable">
<tbody>
<tr>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/ArsMagna-e1308851236906.jpg" rel="lytebox[1234]"><img class="aligncenter size-thumbnail wp-image-1410" title="ArsMagna" src="http://typecastfilms.com/wp-content/uploads/2010/03/ArsMagna-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/IDC-D.DVD_.Cover_.Front_.RGB_.300dpi-e1308851158318.jpg" rel="lytebox[1234]"><img class="aligncenter size-full wp-image-1414" title="IDC-D.DVD.Cover.Front.RGB.300dpi" src="http://typecastfilms.com/wp-content/uploads/2010/03/IDC-D.DVD_.Cover_.Front_.RGB_.300dpi-e1308851158318.jpg" alt="" width="224" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/laoshinlaoyan-e1308851193536.jpg" rel="lytebox[1234]"><img class="aligncenter size-thumbnail wp-image-1412" title="laoshinlaoyan" src="http://typecastfilms.com/wp-content/uploads/2010/03/laoshinlaoyan-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
<tr>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/DSC_0072_Hockey-stop-e1308851216518.jpg" rel="lytebox[1234]"><img class="aligncenter size-thumbnail wp-image-1411" title="DSC_0072_Hockey-stop" src="http://typecastfilms.com/wp-content/uploads/2010/03/DSC_0072_Hockey-stop-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/teamtempest-e1308851176452.jpg" rel="lytebox[1234]"><img class="aligncenter size-thumbnail wp-image-1413" title="teamtempest" src="http://typecastfilms.com/wp-content/uploads/2010/03/teamtempest-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
</tbody>
</table>
<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p>Write, shoot and edit a short non-fiction film in just 5 days. You must use an all-volunteer crew, none of whom will be getting much sleep in order to submit the film before the judges&#8217; deadline.</p>
<p>Started in 2006, <strong>The International Documentary Challenge</strong> is a timed competition in which filmmakers are given just five days to create and complete a short non-fiction film. The participants all work during the same time period and are required to ship their finished films by a strict deadline. The filmmakers must choose between two documentary genres and are assigned a specific theme each year that helps dictate the content and direction of their film.</p>
<p>This DVD collection features a variety of short non-fiction works from around the globe &#8211; from China to New York City; from Seattle to Amsterdam; from Montana to Japan &#8211; representing the very best from filmmakers who participated in the first three years of the<strong>International Documentary Challenge</strong>. If you&#8217;re interested in participating in the next International Documentary Challenge, you can find details at www.docchallenge.org.</p>
<p><strong>Sponsored by:</strong> Hotdocs, POV, Big Sky Film Festival, KDHX, Documentary Educational Resource, Film Action Oregon, IDA, DOC, Dokufest, 48 hour film project</p>
<table class="sortable" style="width: 550px;" border="0" frame="hsides">
<tbody>
<tr style="background-color: #464646;">
<td style="text-align: center;"><span style="color: #ffffff;"><strong><span style="font-size: small;">Filmmaker(s)</span></strong></span></td>
<td style="text-align: center;"><span style="color: #ffffff;"><strong><span style="font-size: small;">Film Title</span></strong></span></td>
<td><span style="font-size: small;"><strong><span style="color: #ffffff;">Year</span></strong></span></td>
<td style="text-align: center;"><span style="font-size: small;"><strong><span style="color: #ffffff;">Country</span></strong></span></td>
</tr>
<tr>
<td>Kissel-Volmer</td>
<td>Unfettering the Falcons</td>
<td>2007</td>
<td>USA</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Team Nexus</td>
<td>In Your Faith</td>
<td>2007</td>
<td>Japan</td>
</tr>
<tr>
<td>I=ME2</td>
<td>Year of the Rooster</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Sawbuck Productions</td>
<td>Begging For Grace</td>
<td>2007</td>
<td>USA</td>
</tr>
<tr>
<td>The Galileus Group</td>
<td>My Small Piece of Land</td>
<td>2006</td>
<td>Palestine/Israel</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Fly on the Wall</td>
<td>Jetty</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr>
<td>Profluence Productions</td>
<td>Bend &amp; Bow</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Abrahami-Netz Production</td>
<td>Red Light Blues</td>
<td>2008</td>
<td>Netherlands</td>
</tr>
<tr>
<td>Team Juicebox</td>
<td>Ars Magna</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Beijing Dreams</td>
<td>Lao Shan Lao Yin</td>
<td>2006</td>
<td>China</td>
</tr>
<tr>
<td>72hundred</td>
<td>Outside the Box</td>
<td>2007</td>
<td>USA</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Reel Grrls</td>
<td>Click Whoosh</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr>
<td>Gotanda</td>
<td>Relatively Free</td>
<td>2006</td>
<td>Germany</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Lucky Shot</td>
<td>Pennywise: The Changing Face of Change</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr>
<td>Boss and Coder 34</td>
<td>Beholder</td>
<td>2008</td>
<td>USA</td>
</tr>
<tr style="background-color: #dcdcdc;">
<td>Team Tessa</td>
<td>Portraits of Hope</td>
<td>2007</td>
<td>USA</td>
</tr>
<tr>
<td>High Plains Films</td>
<td>Star Spangled Blues</td>
<td>2006</td>
<td>USA</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<h6 style="text-align: left;">Trailer:</h6>
<p style="text-align: left;"><object width="560" height="420"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=10538656&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="560" height="420" src="http://vimeo.com/moogaloop.swf?clip_id=10538656&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<h6 style="text-align: left;"><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p style="text-align: left;">This film is no longer in theaters.</p>
<h6 style="text-align: left;"><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<p style="text-align: left;">This film is no longer at film festivals.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Libby, Montana</title>
		<link>http://typecastfilms.com/1147/libby-montana/</link>
		<comments>http://typecastfilms.com/1147/libby-montana/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 20:50:29 +0000</pubDate>
		<dc:creator>Matilyn</dc:creator>
				<category><![CDATA[FilmPage]]></category>
		<category><![CDATA[Institutional]]></category>
		<category><![CDATA[NETFLIX]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1147</guid>
		<description><![CDATA[Nestled below the rugged peaks of the Northern Rockies in Montana lies the worst case of community-wide exposure to a toxic substance in U.S. history. In the small town of Libby, many hundreds of people are sick or have already died from asbestos exposure. <strong><em>Libby, Montana</em></strong><em> </em> takes a long working day's journey into a blue-collar community, and finds a different reality — one where the American Dream exacts a terrible price.]]></description>
			<content:encoded><![CDATA[<table id="filmImageTable">
<tbody>
<tr>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/chadharder1.jpg" rel="lytebox[1147]"><img class="aligncenter size-thumbnail wp-image-1456" title="chadharder1" src="http://typecastfilms.com/wp-content/uploads/2010/03/chadharder1-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/LIBBYMONTANA-D.DVD_.Cover_.Front_.RGB_.300dpi.jpg" rel="lytebox[1147]"><img class="aligncenter size-full wp-image-1460" title="LIBBYMONTANA-D.DVD.Cover.Front.RGB.300dpi" src="http://typecastfilms.com/wp-content/uploads/2010/03/LIBBYMONTANA-D.DVD_.Cover_.Front_.RGB_.300dpi.jpg" alt="" width="225" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/libbymontana6.jpg" rel="lytebox[1147]"><img class="aligncenter size-thumbnail wp-image-1458" title="libbymontana6" src="http://typecastfilms.com/wp-content/uploads/2010/03/libbymontana6-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
<tr>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/chadharder6.jpg" rel="lytebox[1147]"><img class="aligncenter size-thumbnail wp-image-1457" title="chadharder6" src="http://typecastfilms.com/wp-content/uploads/2010/03/chadharder6-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/libbymontana.jpg" rel="lytebox[1147]"><img class="aligncenter size-thumbnail wp-image-1459" title="libbymontana" src="http://typecastfilms.com/wp-content/uploads/2010/03/libbymontana-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
</tbody>
</table>
<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p><strong><span style="color: #a52a2a;"><span style="color: #000000;">NATIONAL BROADCAST ON PBS&#8217; P.O.V.</span></span></strong></p>
<p>Nestled below the rugged peaks of the Northern Rockies in Montana lies the worst case of community-wide exposure to a toxic substance in U.S. history. In the small town of Libby, many hundreds of people are sick or have already died from asbestos exposure. <strong><em>Libby, Montana</em></strong><em> </em> takes a long working day&#8217;s journey into a blue-collar community, and finds a different reality — one where the American Dream exacts a terrible price.</p>
<h6>Reviews</h6>
<blockquote><p>&#8220;If the political pressure to prosecute Grace&#8217;s executives to the full extent of the law persists, it will be due in part to this deeply moving film. Many critics have praised the &#8216;objectivity&#8217; of filmmakers Doug Hawes-Davis and Drury Gunn Carr; what they mean is that the directors let the headlines, residents, and Lovick tell the story. This time-tested documentary technique seems fresh in the wake of last year&#8217;s much-more-publicized and vocally political Fahrenheit 9/11, but at its root is the recognition that <em>Libby, Montana</em><em> </em> isn&#8217;t a red-state or blue-state story. It is a story about American democracy and American capitalism, and the battle that must constantly be waged to keep the latter from consuming the former.&#8221;<br />
 <em>- San Antonio Current</em></p>
</blockquote>
<p><br class="spacer_" /></p>
<h6>Trailer:</h6>
<p>
<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="420" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10536606&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="560" height="420" src="http://vimeo.com/moogaloop.swf?clip_id=10536606&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object>
</p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p>This film is no longer in theaters.</p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<table class="laurels" border="0">
<tbody>
<tr>
<td>
<p style="text-align: center;"><strong><span style="font-size: small;"><br />
 Winner</span><br />
 <span style="font-weight: normal; font-size: xx-small;">Best Film<br />
 <em>Plymouth Independent FF</em></span></strong></p>
<p><strong> </strong></p>
</td>
</tr>
</tbody>
</table>
<p>This film is no longer at film festivals.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Corporal&#8217;s Diary, The</title>
		<link>http://typecastfilms.com/1098/the-corporals-diary/</link>
		<comments>http://typecastfilms.com/1098/the-corporals-diary/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 17:11:19 +0000</pubDate>
		<dc:creator>Matilyn</dc:creator>
				<category><![CDATA[FilmPage]]></category>
		<category><![CDATA[Home Page]]></category>
		<category><![CDATA[Home Video]]></category>
		<category><![CDATA[Institutional]]></category>
		<category><![CDATA[NETFLIX]]></category>
		<category><![CDATA[On Demand]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1098</guid>
		<description><![CDATA[Twenty-two year old Corporal Jonathan Santos had documented his 37 days of military service in Iraq in a personal diary before a roadside bomb took his life and the lives of several of his friends and servicemen on October 15, 2004. Jonathan's mother, Doris, wasn't aware that her son had kept a diary until his Tuff Box™ - a soldier's chest filled with their most valuable items - was sent to her after his death. Upon opening the box, she discovered his "little green book" and a stack of videocassettes on which he had recorded daily life in Iraq.]]></description>
			<content:encoded><![CDATA[<table id="filmImageTable">
<tbody>
<tr>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/doris-memorial_hi-res-e1308787843500.jpg" rel="lytebox[1098]"><img class="aligncenter size-thumbnail wp-image-1468" title="doris-memorial_hi-res" src="http://typecastfilms.com/wp-content/uploads/2010/03/doris-memorial_hi-res-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td id="dvdImage" rowspan="2"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/CORPORALS-EARLY-D.DVD_.Cover_.Front_.RGB_.300dpi.jpg" rel="lytebox[1098]"><img class="aligncenter size-full wp-image-1472" title="CORPORALS-EARLY-D.DVD.Cover.Front.RGB.300dpi" src="http://typecastfilms.com/wp-content/uploads/2010/03/CORPORALS-EARLY-D.DVD_.Cover_.Front_.RGB_.300dpi.jpg" alt="" width="219" height="320" /></a></td>
<td class="border-bottom filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/matthew_hi-res-e1308787812433.jpg" rel="lytebox[1098]"><img class="aligncenter size-thumbnail wp-image-1470" title="matthew_hi-res" src="http://typecastfilms.com/wp-content/uploads/2010/03/matthew_hi-res-150x150.jpg" alt="" width="150" height="150" /></a></td>
</tr>
<tr>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/jonathan-and-glasses_hi-res-e1308787826222.jpg" rel="lytebox[1098]"><img class="aligncenter size-thumbnail wp-image-1469" title="jonathan-and-glasses_hi-res" src="http://typecastfilms.com/wp-content/uploads/2010/03/jonathan-and-glasses_hi-res-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/road_hi-res-e1308787794732.jpg" rel="lytebox[1098]"><img class="aligncenter size-thumbnail wp-image-1471" title="road_hi-res" src="http://typecastfilms.com/wp-content/uploads/2010/03/road_hi-res-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p>Twenty-two year old Corporal Jonathan Santos had documented his 37 days of military service in Iraq in a personal diary before a roadside bomb took his life and the lives of several of his friends and servicemen on October 15, 2004. Jonathan&#8217;s mother, Doris, wasn&#8217;t aware that her son had kept a diary until his Tuff Box™ &#8211; a soldier&#8217;s chest filled with their most valuable items &#8211; was sent to her after his death. Upon opening the box, she discovered his &#8220;little green book&#8221; and a stack of videocassettes on which he had recorded daily life in Iraq.</p>
<p>When Doris is finally able to bring herself to watch the tapes, she finds images of Jonathan&#8217;s arrival in Iraq, pictures from a cousin&#8217;s wedding he was able to attend while on leave, and scenes of Jonathan laughing and joking with his Army buddies including Private Matthew Drake, one of Jonathan&#8217;s best friends, who was the sole survivor of the attack in which Jonathan was killed. The record of Jonathan&#8217;s final few weeks, in which he expresses fears and doubts never voiced to his family in person, is at once inspiring, personal and profound.</p>
<p>Both an affecting story of courage and a universal tribute to soldiers everywhere, <strong><em>The Corporal&#8217;s Diary</em></strong><em> </em>follows Doris&#8217; journey as she moves beyond her pain to meet with the families of others who have lost loved ones in the war. Together they share stories, offer comfort and pay tribute to the lives of the brave young servicemen and women who have sacrificed their lives in Iraq.</p>
<p><strong>DVD Extras:</strong></p>
<li>Limited edition 20 page booklet which includes Jonathans complete diary entries from Iraq.</li>
<li>Feature Audio Commentary</li>
<li><strong><em>The Corporal&#8217;s Boots</em></strong><em> </em> &#8211; The story of one soldier’s boots in the national exhibit, &#8220;Eyes Wide Open.&#8221;</li>
<li>Interview: Doris and Lisa &#8211; Followup interview with the mothers of Jonathan and Matthew.</li>
<li>Corporal Santos&#8217; Last Letter Home &#8211; Jonathan&#8217;s last letter home, read by his mother.</li>
<li>Update on Matthew&#8217;s condition</li>
<li>Classroom Guide / Teaching Materials</li>
<p><br class="spacer_" /></p>
<h6>Reviews:</h6>
<p><span style="font-size: small;"><span style="font-family: 'book antiqua', palatino;">&#8220;A heartfelt tribute to a human being by those who loved him.&#8221;<em> </em><strong>- Bill White, Seattle Post-Intelligencer</strong></span></span></p>
<p><span style="font-size: small;"><span style="font-family: 'book antiqua', palatino;">&#8220;Santos’ footage is remarkable for its unremarkable scenes of soldiers joking and complaining of the boredom and mundane facts of life in a confusing war zone. There is seemingly nothing special about them. They could be your neighbors or your sons.&#8221;<strong>- David Allen, Stars and Stripes</strong></span></span></p>
<p><span style="font-size: small;"><span style="font-family: 'book antiqua', palatino;">&#8220;The content of each journal is so entertaining and compelling that, if one didn&#8217;t know better, a viewer might assume The Corporal&#8217;s Diary was yet another faux documentary about the war told from the perspective of a fictional serviceman.&#8221;<strong>- Tom Keogh, Seattle Times</strong></span></span></p>
<h6>Trailer:</h6>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="371" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10534191&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="560" height="371" src="http://vimeo.com/moogaloop.swf?clip_id=10534191&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p>This film is no longer in theaters.</p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
<p>This film is no longer at film festivals.</p>
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<p style="text-align: center;"><span style="font-size: small;"><strong>Winner</strong></span><br />
<span style="font-weight: normal; font-size: xx-small;">Most Powerful Documentary<br />
Seattle True Independent Film Festival</span></p>
</td>
</tr>
</tbody>
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<h6><span style="text-decoration: underline;"><a name="OnDemand"></a>On Demand</span></h6>
<p>Watch this film instantly through YouTube Rentals!</p>
<p style="text-align: center;"><a href="http://www.youtube.com/watch?v=F4WMbb4M9os"><img class="aligncenter size-medium wp-image-1744" title="watchNow" src="http://typecastfilms.com/wp-content/uploads/2010/03/watchNow-300x62.png" alt="" width="300" height="62" /></a></p>
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		<title>Encounter Point</title>
		<link>http://typecastfilms.com/1077/encounter-point/</link>
		<comments>http://typecastfilms.com/1077/encounter-point/#comments</comments>
		<pubDate>Sat, 13 Mar 2010 01:10:54 +0000</pubDate>
		<dc:creator>Matilyn</dc:creator>
				<category><![CDATA[FilmPage]]></category>
		<category><![CDATA[Home Video]]></category>
		<category><![CDATA[Institutional]]></category>
		<category><![CDATA[NETFLIX]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Israel]]></category>
		<category><![CDATA[Palestine]]></category>

		<guid isPermaLink="false">http://typecastfilms.com/?p=1077</guid>
		<description><![CDATA[Just when the world is losing hope about the possibility of resolving the Palestinian-Israeli conflict comes Encounter Point. Created by a Palestinian, Israeli, North and South American team, Encounter Point moves beyond sensational and dogmatic imagery to tell the story of an Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their safety and public standing to press for an end to the conflict. They are at the vanguard of a movement to push Palestinian and Israeli societies to a tipping point, forging a new consensus for nonviolence and peace. Perhaps years from now, their actions will be recognized as a catalyst for constructive change in the region. Encounter Point is a film about hope, true courage and implicitly about the silence of journalists and politicians who pay little attention to vital grassroots peace efforts.]]></description>
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<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/ENCOUNTER_memorial_300-e1308848392987.jpg" rel="lytebox[1077]"><img class="aligncenter size-thumbnail wp-image-1475" title="ENCOUNTER_memorial_300" src="http://typecastfilms.com/wp-content/uploads/2010/03/ENCOUNTER_memorial_300-150x150.jpg" alt="" width="150" height="150" /></a></td>
<td class="filmImageGallery"><a href="http://typecastfilms.com/wp-content/uploads/2010/03/ENCOUNTER_street_300.jpg" rel="lytebox[1077]"><img class="aligncenter size-thumbnail wp-image-1477" title="ENCOUNTER_street_300" src="http://typecastfilms.com/wp-content/uploads/2010/03/ENCOUNTER_street_300-150x150.jpg" alt="" width="150" height="150" /></a></td>
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<p>Follow us on <a href="http://www.facebook.com/pages/Arab-Film-Distribution-Typecast-Releasing/292240766274" target="_blank">facebook</a> &amp; <a href="http://twitter.com/#!/afd_typecast" target="_blank">twitter</a>!</p>
<h6><strong><span style="text-decoration: underline;">D</span></strong><span style="text-decoration: underline;">escription:</span></h6>
<p>Just when the world is losing hope for the possibility of resolving the Palestinian-Israeli conflict comes <strong><em>Encounter Point</em></strong><em> </em>. Created by a Palestinian, Israeli, North and South American team, <strong><em>Encounter Point</em></strong><em> </em> moves beyond sensational and dogmatic imagery to tell the story of an Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their safety and public standing to press for an end to the conflict. They are at the vanguard of a movement to push Palestinian and Israeli societies to a tipping point, forging a new consensus for nonviolence and peace. Perhaps years from now, their actions will be recognized as a catalyst for constructive change in the region. <strong><em>Encounter Point</em></strong><em> </em> is a film about hope, true courage and implicitly about the silence of journalists and politicians who pay little attention to vital grassroots peace efforts.</p>
<p><strong><em>Encounter Point</em></strong><em> </em>&#8216;s Israeli/Palestinian/North American/ Brazilian production team of young women includes: director &amp; producer Ronit Avni (formerly of WITNESS), co-director Julia Bacha (co-writer/editor of the award-winning documentary <strong><em>Control Room</em></strong><em> </em>), producers Nahanni Rous and Joline Makhlouf, the first Palestinian female pilot. <strong><em>Encounter Point</em></strong><em> </em> was edited in Jerusalem and Park Slope, Brooklyn, and features original music by Kareem Roustom, who combines classical Arabic melodies and instruments with traditional Jewish Klezmer to form a harmonious fusion that mirrors the subject matter.</p>
<p><strong><em>Encounter Point</em></strong><em> </em>&#8216;s World Premiere was at the 2006 Tribeca Film Festival. The Canadian premiere was at Hot Docs, and the West Coast premiere was at the San Francisco International Film Festival, where it won the Audience Award for Best Documentary. <strong><em>Encounter Point</em></strong><em> </em> has subsequently won the 2006 Audience Award for Best Documentary at the Rencontres Film Festival in Montreal, the Best Musical Score Award at the Bend Film Festival and the 2006 Spirit of Freedom Award at the Bahamas Film Festival. It has screened in Dubai, Jerusalem, Jenin and more than 35 other cities worldwide.</p>
<p>A <strong>52-minute classroom version</strong> of <strong><em>Encounter Point</em></strong><em> </em> is now available for institutional purchase.</p>
<h6>Reviews:</h6>
<p><strong>&#8220;It isn&#8217;t often that you see a film about Israelis and Palestinians that can be called hopeful, but Ronit Avni&#8217;s assured, thoughtful and clear-eyed documentary certainly qualifies. ”</strong><br />
- Anita Gates, <em>New York Times</em></p>
<p><strong>&#8220;It may not break any new aesthetic ground, but Encounter Point might just be the most optimistic film about this conflict you&#8217;ll ever see.&#8221;</strong><br />
- Bilge Ebri, <em>New York Magazine</em></p>
<p><strong>&#8220;A riveting documentary. . . blazes with a kind of spiritual grace.”</strong><br />
- Village Voice</p>
<h6>Trailer:</h6>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="315" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10535436&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="560" height="315" src="http://vimeo.com/moogaloop.swf?clip_id=10535436&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<h6><span style="text-decoration: underline;"><a name="Theatrical"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/movie-icon.png" alt="" /> In Theaters</span></h6>
<p>1/19/2011 &#8211; Pine Hills Branch Albany Public Library (517 Western Ave. Albany, NY)</p>
<h6><span style="text-decoration: underline;"><a name="Festival"></a><img src="http://typecastfilms.com/wp-content/themes/typecast/images/theme/laurel-icon.png" alt="" /> At Festivals</span></h6>
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<p style="text-align: center;"><strong><span style="font-size: small;"><br />
Winner</span><br />
<span style="font-weight: normal; font-size: xx-small;">Best Documentary<br />
<em>Rencontres Film Festival</em></span></strong></p>
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<td>
<p style="text-align: center;"><strong><span style="font-size: small;"><br />
Winner</span><br />
<span style="font-weight: normal; font-size: xx-small;">Best Documentary<br />
<em>San Francisco INTL FF</em></span></strong></p>
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<p>This film is no longer at film festivals.</p>
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