Ayed Morrar, an unlikely community organizer, unites Palestinians from all political factions and Israelis to save his village from destruction by Israel’s Separation Barrier. Victory seems improbable until his 15-year-old daughter, Iltezam, launches a women’s contingent that quickly moves to the front lines.

While visiting Iraq for the premiere of his debut feature film in 2007, Mohamed summons the courage to look back over the last three turbulent years of his life that saw the creation of his feature film in a volatile war zone.

With “an elegiac poignancy” (New York Times), director James Allen Smith’s Floored “captures the waning heyday of the Chicago Trading Pits” (ABC News) and tells the bizarre and gripping stories of the traders—”overgrown kids with money, brains and a pathological need to release stress” (Barron’s) whose chaotic, audacious and thrill-seeking way of life has all but vanished with the recent shift toward automated computerized stock trading.

A devoted son of Holocaust survivors and ardent critic of Israeli foreign policy, the polarizing American political scientist and author Norman Finkelstein has been called a lunatic and self-hating Jew by some, and an inspirational revolutionary by others. Uncompromising even in the face of his recent denial of tenure at DePaul University, Finkelstein is revealed as a complex, politically isolated figure who puts the pursuit of justice above the safety of his academic career. Exploring the difficult and deeply-felt issues at the heart of the Palestinian-Israeli conflict, American Radical is the insightful and enraging documentary that follows Finkelstein around the world as he attempts to negotiate a powerful voice among his impassioned critics and supporters.

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied.

Seattle’s do-it-yourself ethic and uncompromising artistic sensibilities are at the center of Seattle Women in Film, an eclectic collection of the best short films by Seattle’s top women filmmakers.

Write, shoot and edit a short non-fiction film in just 5 days. You must use an all-volunteer crew, none of whom will be getting much sleep in order to submit the film before the judges’ deadline.

Nestled below the rugged peaks of the Northern Rockies in Montana lies the worst case of community-wide exposure to a toxic substance in U.S. history. In the small town of Libby, many hundreds of people are sick or have already died from asbestos exposure. Libby, Montana takes a long working day’s journey into a blue-collar community, and finds a different reality — one where the American Dream exacts a terrible price.

Twenty-two year old Corporal Jonathan Santos had documented his 37 days of military service in Iraq in a personal diary before a roadside bomb took his life and the lives of several of his friends and servicemen on October 15, 2004. Jonathan’s mother, Doris, wasn’t aware that her son had kept a diary until his Tuff Box™ – a soldier’s chest filled with their most valuable items – was sent to her after his death. Upon opening the box, she discovered his “little green book” and a stack of videocassettes on which he had recorded daily life in Iraq.

Just when the world is losing hope about the possibility of resolving the Palestinian-Israeli conflict comes Encounter Point. Created by a Palestinian, Israeli, North and South American team, Encounter Point moves beyond sensational and dogmatic imagery to tell the story of an Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their safety and public standing to press for an end to the conflict. They are at the vanguard of a movement to push Palestinian and Israeli societies to a tipping point, forging a new consensus for nonviolence and peace. Perhaps years from now, their actions will be recognized as a catalyst for constructive change in the region. Encounter Point is a film about hope, true courage and implicitly about the silence of journalists and politicians who pay little attention to vital grassroots peace efforts.