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Iraq in Fragments

Veiled Voices

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied.

American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

Winner of Best Director, Best Cinematography and Best Editing awards in the 2006 Sundance Film Festival documentary competition, the film was also awarded the Grand Jury Prize at the 2006 Full Frame Documentary Film Festival, was named Best Documentary at the Chicago International Film Festival, and was nominated for Best Documentary at the 2007 Academy Awards.

Women across the Arab world are redefining their role as leaders in Islam. In director Brigid Maher’s insightful documentary film, Veiled Voices , three influential women Islamic leaders are profiled—along with their families and the communities in which they serve: Ghina Hammoud in Lebanon, Dr. Du’ad Saleh in Egypt and Huda al-Habash in Syria. Filmed over the course of two years, Veiled Voices reveals a world rarely documented, exploring both the public and private lives of these women.

As a divorced woman, Ghina Hammoud faces a personal challenge in gaining legitimacy as a leader, since divorce is controversial in communities throughout Lebanon. In Egypt, Dr. Su’ad Saleh must continually fight for public recognition by the Egyptian religious authority at al-Azhar—the famous Cairo mosque and university founded in the 10th century. Huda al-Habash in Damascus enjoys both institutional support and the support of her husband as she teaches women in Syria and lectures all over the Middle East, helping others “move…from ignorance to knowledge.”

The three personal stories featured in Veiled Voices give insight into how Muslim women are increasingly willing to challenge the status quo from within their religion, promoting Islam as a powerful force for positive transformation in the world.

Marathon Beirut

Despite the devastation and political upheaval in Lebanon after the July 2006 Israeli invasion, the Beirut Marathon Association chose to move forward with their November event. However, five days before the race was set to begin, government minister Pierre Gemayel was assassinated. The country went into three days of national mourning, with thousands gathering in downtown Beirut as an expression of both grief and unity.

After much deliberation, the Marathon Association again decided to go ahead with their event. When further political hurdles and delays materialized, there was mounting concern that the Lebanese people might be fearful of taking part in the marathon—yet more than 22,000 people showed up to participate in the 5km, 10km and 42km races, with “For the Love of Lebanon” as the event’s inspirational theme.

In her insightful and inspiring documentary about the staging of the 2006 Beirut Marathon, director Deborah Harse perfectly captures the chaos, determination and ultimate rewards of keeping the annual Lebanese event alive in the face of seemingly insurmountable obstacles.



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American Radical North American Theatrical Screening Dates:

* February 11-17, 2010 . New York, NY at Anthology Film Archives
* March 8-11, 2010 . Seattle, WA at Northwest Film Forum
* March 12-18, 2010 . Los Angeles, CA at Laemmle Theatres
* March 23-30, 2010 . New Orleans, LA at Zeitgeist Multi-Disciplinary Arts Center
* March 28, 2010 . San Francisco, CA at Yerba Buena Center for the Arts
* April 15-16, 2010 . Columbus, OH at Wexner Center for the Arts
* April 23-29, 2010 . Montreal, QC at Cinema du Parc
* April 24, 2010 . Chicago, IL at Chicago Palestine Film Festival
* May 23-26, 2010 . Vancouver, BC at Pacific Cinematheque
* June 3, 2010 . San Francisco, CA at Roxie Theater

Typecast Releasing is pleased to announce that American Radical: The Trials of Norman Finkelstein, the new feature-length documentary film from directors David Ridgen (Mississippi Cold Case) and Nicolas Rossier (Aristide and the Endless Revolution), enjoyed a successful premiere and week-long run in NYC at Anthology Film Archives in February—with Norman Finkelstein and the directors in attendance at opening weekend screenings for Q&A. American Radical next went on to play in Seattle, WA at the Northwest Film Forum and then had its Los Angeles theatrical premiere at Laemmle Theatres’ Music Hall 3 cinemas in Beverly Hills, with opening night events on Friday, March 12 sponsored by the Levantine Cultural Center. The film had a successful two-week theatrical run in Montreal, QC at Cinema du Parc and will next be showing at Pacific Cinematheque in Vancouver, BC from May 23-26 after which it will be screened at the Roxie Theater in San Francisco on June 3, with a panel discussion following both screenings there.

A devoted son of Holocaust survivors and ardent critic of Israeli foreign policy, the polarizing American political scientist and author Norman Finkelstein has been called a lunatic and self-hating Jew by some, and an inspirational revolutionary by others. Exploring the deeply complex issues at the heart of the Palestinian-Israeli conflict, American Radical is the insightful and enraging documentary that follows Finkelstein around the world as he attempts to negotiate a voice among his impassioned critics and supporters. Uncompromising even in the face of his recent denial of tenure at DePaul University, Finkelstein is revealed as a complex and supremely lonely figure whose self-destructive nature often undermines his academic credibility. A guaranteed argument starter, this potent documentary plunges viewers into the psychological and intellectual underpinnings of a vitriolic personality.

“For us, Finkelstein is the consummate documentary subject: a complex firebrand, principled to the point of self-ruin, at the apex of several of the world’s largest conflicts. A man who has never been asked to appear on mainstream American television, but who regularly appears – always creating controversy – in the international media. At once anti-hero, clown, and merciless scholar, Finkelstein creates as many storms as he enters. And to what end? When radicals collide, does it create understanding? Some would argue that it sometimes does. Others would claim that Finkelstein’s principled but too often bitter advocacy does much to discredit the cause of a just resolution of the Israeli-Palestinian conflict. Audiences can decide for themselves.” —directors David Ridgen & Nicolas Rossier

VIEW TRAILER:

REVIEWS:

“‘American Radical: The Trials of Norman Finkelstein’ is a cautiously respectful documentary portrait of a political firebrand who presents himself as a beacon of moral truth in the murk of the Israeli-Palestinian conflict.” —Stephen Holden, New York Times

“Surprisingly entertaining…a compelling portrait of a difficult man.” —Mark Cohen, The Jewish Daily Forward

“With impressive restraint, the fascinatingly thorny ‘American Radical’ is less interested in the validity of Finkelstein’s ideas—seriously mounted, if inflammatory—and more in the topsy-turvy life of today’s professional academic. Amazingly, that choice doesn’t result in a boring movie.” —Joshua Rothkopf, Time Out New York

“‘American Radical’…presents a more balanced portrait of Finkelstein, who, when his passion doesn’t carry him off on a wave of anger, is shown to be thoughtful, intelligent and deeply melancholy.” —George Robinson, The Jewish Week

“A blood-boiling, very good documentary.” —Mark Keizer, Boxoffice Magaine

“(Norman Finkelstein’s) conclusions can be debated, his methods can be deplored, but as (‘American Radical’ directors) Ridgen and Rossier take pains to point out, a man so rigorously committed to putting an end to oppression ought not be so easily dismissed, even if coming to grips with such a challenging figure may be finally as difficult as getting to the bottom of the Arab-Israeli conflict itself.” —Andrew Schenker, Slant Magazine

“A guaranteed argument starter…an engaging portrait of an academic whose work is both fueled and undermined by his vitriolic personality.” Chicago Reader

“A fascinating, well-rounded portrait of Finkelstein that simultaneously informs, inspires and infuriates…the filmmakers ride a delicate line, assembling a warts-and-all portrait that shows why Finkelstein is deeply respected and equally reviled.” Mark Achbar, director of ‘The Corporation’ and ‘Manufacturing Consent: Noam Chomsky and the Media’